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    Seminar Title台灣紀錄片的類型發展與分析－以Bill Nichols 的六種模式為研究基礎
    Year91
    Semester1
    Meeting Start Date2002-12-14
    Seminar Name台灣紀錄片的類型發展與分析－以Bill Nichols 的六種模式為研究基礎
    Seminar Name Other
    All Author王慰慈; Wang, Wei-Tsy
    The Unit Of The Conference淡江大學大眾傳播學系
    Publisher臺北市：行政院文化建設委員會
    Meeting Name真實與再現：紀錄片美學國際學術研討會
    Meeting Place臺北市, 臺灣
    Summary本文綜合Bill Nichols對紀錄片再現美學的六種模式，分析自七０年代迄今台灣紀錄片歷史發展的類型，以及探討不同類型之間的可能性與侷限性。針對台灣紀錄片的發展，過份拘泥於寫實主義的典範，本文也試圖尋求更開闊的製作理念。;This article analyzes the genres of Taiwanese documentary since the Seventy''s unto now utilizing the six modes of documentary production prescribed by Bill Nichols and discuss the possibilities and limitations among these different modes of documentary production. Since the development of Taiwanese documentary has clung mostly to the realism paradigm in the recent thirty years, hence this article would also try to explore and to search a broader concept of documentary production.
    Keyword台灣;紀錄片;美學;製作模式;紀錄片製作;Taiwan;Documentary;Aesthetics;Production Mode;Bill Nichols;Documentary Production
    Use LangChinese
    Level,Other
    Nature Of The Meeting國際
    On-campus Seminar Location
    Seminar Time20021214~20021215
    Corresponding Author
    CountryTWN
    Open Call for PapersY
    Publication style紙本
    Provenance真實與再現：紀錄片美學國際學術研討會論文集，頁31-60